Museum Connections 2024

LA

Lucie AERTS

MUSÉE NATIONAL DE LA MARINE

Cheffe du service médiation

Biography

Lucie Aerts devotes her professional career to the question of audiences and accessibility. After experience at the Collège des Bernardins and the Centre Pompidou, she worked for six years at the musée du quai Branly, particularly in the social field. Since 2019, she has been head of the Mediation department at the musée national de la Marine, reopened in November 2023 in Paris after a complete transformation. She is a member of the ICOM-CECA Special Interest Group on Sensitive Mediation.

EVENTS

Find us at the following events:
Jan 16, 2024
12:00 PM - 12:20 PM

“AUDIO ROOM” Educational application to produce podcasts and sound creation by the visitors

Lucie AERTS (MUSÉE NATIONAL DE LA MARINE)Hélène PERRET (UNENDLICHE STUDIO)
Description
SELECTION INNOVATION DUOS 2024 Audio Room is a tablet application designed by Unendliche Studio that brings together all the audio production tools, from recording to mixing. It allows users to record and create podcasts flexibly, anytime and anywhere. Already adapted to uninitiated audiences and in particular young audiences, Audio Room was released, in 2023, in a new, more accessible version, dedicated to the musée national de la Marine and its audiences, as part of a collaboration with the Mediation service.
Jan 16, 2024
2:00 PM - 3:15 PM

Sensory mediation: for an emotional experience of museums and heritage sites

Lucie AERTS (MUSÉE NATIONAL DE LA MARINE)Kathleen BOUQUET (MUSÉE DE LA CONSERVERIE DE LOCTUDY)Isabelle BURKHALTER (MAH - MUSÉE D'ART ET D'HISTOIRE DE GENÈVE)Anne-Sophie GRASSIN (MAC VAL - MUSÉE D'ART CONTEMPORAIN DU VAL-DE-MARNE)Anne-Sophie MARCHAL (CHÂTEAU DE CHILLON, LA LUCARNE)Charlotte SLARK (THE SENSATIONAL MUSEUM / UNIVERSITY OF WESTMINSTER)
Description
In parallel with the increase of analogue and digital mediation tools, we have seen a return to the senses and emotions as key aspects of cultural experience. Venues are putting the visitor's body back at the centre of the relationship with cultural objects and at the heart of soothing or stimulating sensory devices. In this conference, we will be looking at the distinctions between "sensory", "sensational", "multisensory", and at the different ways in which accessible and inclusive cultural experiences are now being offered to all kinds of audiences. We will explore projects that incorporate the senses and emotions from an early stage, and at the reasons why venues implement them, as well as their impact.
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